He is so confident and have the casualness of an Experienced Actor. Karthi (Debut) 's portrayal of the character is impressive and he doesn't look like a debut-ant. Actually I saw each and every Character very near to me. Rating: 0 / 5.When I got the Ticket, I didn't expect that I am going to a Village called Paruthiyur. The young age Veeran and Muthazhagu are very casual and authentic. Be it Saravanan or Ponanthinni (a close associate of Ponvannan), the inspector or even the hero's mother who appears just in a few frames, they leave an impression, and an indelible one at that. Not a single character has been wasted, however miniscule the role maybe. His dialogue delivery is just about perfect.Ĭasting is a big strength of this film. He evokes laughter even when he appears during serious scenes. Kanja Karuppu, the Ameer find, is brilliant yet again. Ponvannan and Saravanan are all very good and give commendable performances. Her histrionics, body language, dialogue delivery and the can't-care-any-less attitude when it comes to opposition for her love are all portrayed brilliantly by Priya. Her delineation of Muthazhagu character is utterly cool and convincing.
But he sees it through with panache and poise. It is not the easiest of roles for him, especially when one considers that he has got such a heavy role to perform in his debut.
He shows the confidence and casualness of a seasoned artiste. Ameer, being from the same part where the film has been shot, has not allowed anything to cloud his vision. It is a typical village subject that is complex in its simplicity, as it were. But still, her father is a stumbling block. It takes one particular incident to make Veeran to understand the depth of Muthazhagu's mind.įrom then on he is a changed man and begins to reciprocate her ideas and ideals. Still, Veeran does not reciprocate her sentiments. On the other hand, as it happens in such cases, Muthazhagu's father (Ponvannan) is opposed to the love on grounds of caste and an earlier problem.ĭespite her father's forcefulness, Muthazhagu tries to commit suicide as she does not want to marry anyone else. But Muthazhagu (Priya Mani) covets for Veeran as they had known each other since they were toddlers.įirstly, Veeran does not have the refinement to understand and appreciate the feelings of Muthazhagu. They don't baulk at anything and crime is not new to them. Veeran (Karthi) and his uncle Chevvazhai are almost a law unto themselves and have no boundaries in the world. The trick and the success of the story lies in the small details that are rich and believable.
The story is a simple one of a village lout coming of age and getting refined through the alchemy of love. He has managed to wrest compelling performances from all the technical crew members. She is spunky and spirited and makes you wonder why big-time breaks are still eluding her.Īmeer's success is not only on the script, story or casting side. Priya Mani, in a pared down de-glam look, is another revelation. He shows a lot of maturity in understanding the needs (of the script and the character). Karthi's genes are filled with acting and it glows beautifully where he has handled the rather uncouth character of Veeran with finesse.
Karthi, as his brother Suriya said not long ago, has proved his acting credentials right at the start of his career while he (Suriya) took a few films to really warm up earnestly. Giving life to this charmingly boisterous village are the spirited team of Karthi, Priya Mani and company. You come out of Paruthi Veeran smelling of baked earth with an echo of pastoral patois. Ever since Bharathiraja left behind his hey days, such movies were replaced by either kitschy or campy kind of village recreation on screen.īut Ameer has brought alive rustic simplicity and complexity on our screens.
#PARUTHIVEERAN REVIEW MOVIE#
It is some time since Tamil cinema had an earthy movie that is realistically redolent of the pastoral predicaments and emotions.
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